But rarely does an artist deconstruct and completely transform a beloved song to the extent that Frances Quinlan does with “Carry the Zero,” the Built to Spill classic that landed at number two on Paste’s best songs of 1999 list. —Zach Schonfeld, Her sophomore album Punisher cements what may be Bridgers’ most understated gift of all: her seemingly innate ability to capture the mundanity of modern sadness in song. The 10 Best Indie Rock Albums of 2020. —Lizzie Manno, In 2017, Waxahatchee’s Katie Crutchfeld quite literally blew the music world away. Their half-hearted performance brought to mind the women in the background of Robert Palmer videos, who serve as ornamentation at best. He felt like he was only going backwards, and he was left wondering why won’t they talk to him. Follow our countdown of the 50 best albums of 2020 Stephen Malkmus - 'Traditional Techniques' … It runs on twang, jangle, truth and wide open spaces; on the album cover, Crutchfield, dressed in a billowy baby-blue frock, sprawls across an old Ford truck bearing a license plate from her native Alabama. Studio equipment. If Out in the Storm was a tornado of sound and emotion, Saint Cloud, Crutchfield’s fifth album under the Waxahatchee alias (out Friday, March 27 on Merge Records) is the calm that comes afterwards. Listening to Fiona Apple is often like bearing witness to a prophet speaking in tongues. 2020 is going to be another exciting year for the indie music scene and the beginning of a new decade. have been used interchangeably in the past decade. —Eric R. Danton, Let’s face it: In 2020, nobody is expecting a new Strokes album to compete with the band’s classic, essentially perfect first two albums. The intimacy of the story is bolstered by the album’s production and Shauf’s deft instrumentation. Fetch the Bolt Cutters is finally here, and it’s another miraculous case of bottled lightning. Katie Crutchfield’s new sobriety led to a move away from rollicking indie and toward a calmer, Americana-informed sound that reels you in. The album often resembles a reversion to her sparser early work and away from the cavernous jolts of her more recent output. July … That’s particularly obvious on “The Alarmist,” as Hall nearly whispers the final line of the first verse: “I whisper to myself / Then I’m spinning it half around / Like an echo / A faraway sound / Saying, ‘be good to me.’” Though the first stanza makes it seem like this is a song about the breakdown of a relationship and Hall’s inability to communicate effectively, that raw “be good to me” refrain feels wholly personal, directed towards himself and no one else. For the public to forgive him for his past misdeeds (if it ever will), he needs to forgive himself first to find a way forward. Not so with The Prettiest Curse. Written about real individuals, some old friends and others strangers, the songs are as manifold as the human lives they encapsulate, with Leithauser often stepping aside to speak in his subjects’ own words. Success neither curing mental illness nor reversing a parent’s medical death sentence is a lot for a 22-year-old to face, but Allison is more than up to the task. —Lizzie Manno, Marigold is the first true collection of Pinegrove songs that addresses (or doesn’t) the events that have unfolded since lead singer Evan Stephens Hall’s admission of sexual coercion in late 2017 via a Facebook post. How do we make things better and dig ourselves out of a hole—especially if we don’t see the hole or if that hole has become comfortable? It seems Hall realized yelps and screams don’t necessarily attract the most attention; he now recognizes that by being even more vulnerable than ever before, he’s capable of producing his finest songwriting yet. —Steven Edelstone, With The Loves of Your Life, former The Walkmen frontman Hamilton Leithauser expands his scope in a searching spirit, satiating his hunger for connection with the stories of others. It’s a world not unlike our own, but that’s part of the appeal, really. —Max Freedman, Emotions are not absolute. Yet, it’s different from anything she’s ever released before. He’s now wondering aloud about getting a home in Miami, going and getting married and tattooing her name on his arm (“Instant Destiny”) and thinking back on how he was feeling a year prior when he had no cares in the world (“One More Year”). Set My Heart on Fire Immediately, the fifth studio album by Perfume Genius, boasts the best album title of 2020. H.e.a.t II is a gleaming chrome comet of pure class, its core … It’s one of many moments on Likewise that prove not only that her solo career deserves to exist, but also that she’s able to thrive without her longtime bandmates (or at least without them in their full roles). So it’s funny that Fetch the Bolt Cutters is exactly what so many expected it to be: brilliant. Every aspect of the central storyline—an ex randomly showing up after moving out of town, bad jokes, drunken ramblings—feels like it could be happening at your local dive just a couple blocks from your apartment. (See: The 50 Most Anticipated Albums of 2020) It’s important to note that denotations such as indie rock and alternative rock and pop-rock, etc. As … Hinds—Carlotta Cosials, Ana Perrote, Amber Grimbergen, and Ade Martin—have a strong grip on their musical identity, and they’re not keen on a makeover. Sundara Karma – Ulfilas’ Alphabet. Scott tumbled into self-doubt. Now that their Rob Schnapf-produced (Beck, Elliott Smith) first album Collector has arrived, we have an answer: It’s perhaps more uniform in sound than their debut EP and live shows would suggest, but it shows off their dynamic guitar triple-threat, down-to-earth lyrics and instantaneous pop know-how that made them so enjoyable and relatable in the first place. Scott remains an improbably vivid writer both lyrically and melodically; throughout Silver Tongue, she takes desire and infatuation as her subject and icy synthesizers as her instrument of choice. Shauf’s storytelling and uncanny realism have long been the linchpin of his appeal as an artist, though his previous release, The Party, showcased his talent on a whole other level. That stylized artificiality has been an unspoken running theme in Bejar’s music as Destroyer, at least since Kaputt in 2011. Like every record before it, her latest album Fetch the Bolt Cutters taps into both the repulsive and the revolutionary. —Max Freedman, In 2012, Kevin Parker was an introvert. But it’s put to such superbly squalling ends, resulting in the breakthrough of one of the best British indie-rock bands in ages. Their second album’s roots run deep through their creative output to this point: The chords of b-side standout “Cameo” originally belonged to Hope Downs’ abandoned title track, while the chorus of closer “The Cool Change” first appeared in a song Tom Russo, White and Keaney performed in a previous band back in the 2000s. There are moments of wonder and discovery, but often those are bookended by rough seas. The following is a list of albums released or scheduled for release in 2020.These are notable albums, defined as having received significant coverage from reliable sources independent of the subject. Doves - 'The Universal Want' 19. All Rights Reserved. The things we want and need are always changing, and trying to communicate that to other people often leads to confusion or frustration. —Ellen Johnson, Fiona Apple engages our minds like no one else. Because you’ve been there (probably), and because Bridgers has been there, too, and she knows how to make this song about a stranger’s overdose into a highly relatable moment. H.e.a.t - H.e.a.t II. —Andy Crump, Listening to an Andy Shauf album in full is akin to binging a particularly compelling TV show: Both pull you in with characters that feel just as real as you or me, who populate a world we’d like to escape to. The quintet—which comprises singer-songwriter-guitarist trio Tom Russo, Joe White and Fran Keaney, plus bassist Joe Russo and drummer Marcel Tussie—arrived essentially fully formed with 2016’s Talk Tight, and have remained remarkably consistent since, from 2017 EP The French Press to their acclaimed full-length debut, 2018 standout Hope Downs. Hinds’ usual fuzzed-up rock aesthetic bridges the gap between The Prettiest Curse and I Don’t Run nicely. Married duo Alaina Moore and Patrick Riley, better known as Tennis, have recently endured one of the most difficult stages of their life, but found solace in each other throughout. She shakes and shimmies as a smarmy male singer, while bikini-clad babes dance behind her or unconvincingly “play” instruments. But Apple isn’t just sitting on these songs during the long gaps between albums; she’s buffing them to perfection. Eliot, searing, Dylan-esque vocal delivery, chiming guitars straight off Out in the Storm, pastoral folk not unlike that of her 2018 EP Great Thunder. View reviews, ratings, news & more regarding your favorite band. Compounding that was the fact – in most cases – indie bands were unable to promote their releases with live shows. Moore herself never learned to swim, just as most of us are not taught how to navigate the choppy waters of grief and strife. ... self-titled album is more indie-rock than anything else, it could be safely argued. Throughout “In August,” she looks back despondently on the fallout of a once-strong companionship: “I have lost your friendship / What does that say about me?” As pillowy synths burst into a mournful geyser of sound, the track takes on a rejuvenating air. But on Likewise, Quinlan hashed everything out with just Reinhart in the studio, giving the tracks more space to breathe than ever before. Most of life’s darkest days often occur after two people have committed themselves to one another: Loved ones fall ill or die, responsibilities mount and any number of unexpected catastrophes may land on your doorstep. The songwriting remains impeccable. December 3, 2020 Lis Sinatra. Eight years later, things are wildly different. Discover and listen to new music releases and 2020's best new album releases this week and every week here. For 2017’s boxy form/a EP and 2018’s grief-stricken Lavender, she embraced synths that resembled icicles falling onto a patio and shattering—an element previously scattered, but not placed front and center, throughout her work—in service of songs as thoughtfully composed as they were towering and immediate. Brooklyn Vegan's Indie Basement placed 40 indie-rock albums from 2020 in its cellar - it's an interesting selection, covering the best, and some unexpected albums. The latter plays strictly in the mode of garage rock. Hop Along actually began as a solo project in the mid-2000s, but by the time the band started to take off with 2012’s Get Disowned, it was a full outfit, complete with Quinlan’s brother Mark on drums, bassist Tyler Long and multi-instrumentalist Joe Reinhart, who has produced each of their records since. Probably, but maybe in a much different way than you were likely expecting from a Tame Impala record. It’s an astute pivot for Rose, and an indicator that she is anything but your typical ascendant artist. After recruiting three more full-time members—Shannon Connor (guitar, keys), Logan Severson (guitar/backing vocals) and Brendan Manley (drums)—and signing to Saddle Creek for their debut album, Disq were fully equipped to bring their distinct charm and varying influences to life. Hear the hot songs of the year and all important new cd releases of 2020 in one place. It’s one thing for a band to capture a world in chaos, but it’s much more difficult to accurately capture a mind in chaos—Porridge Radio make it look like a cakewalk. Marigold also follows Skylight’s tendencies to aim for a softer, more delicate, more intimate sound than anything on Cardinal. But Leithauser has spent his entire career on its wavelength, and dedicates The Loves of Your Life to the people who make the metropolis what it is, bringing all of his skills (he plays most of the instruments on the album) to bear on rendering their stories in poignant detail. Guaranteed fast delivery and low prices. —Lizzie Manno, The whole idea behind releasing or performing a cover is to add your own spin to it: Otherwise, what’s the point? She’s said as much. “I was in a really bad place,” she reflected in a more recent interview SPIN. color theory is an astounding feat of lyricism as clever as it is devastating, and Allison’s songwriting, production and voice are likewise orders of magnitude stronger than they were on Clean, recalling ’90s alt radio while pushing Soccer Mommy in galvanizing new directions. The Best Albums Of 2020, So Far by American Songwriter July 2, 2020, 4:36 pm It is now July 2, the 183rd day of 2020, and we are now officially into the back half of the calendar year. ... and Lilly Hiatt dove headfirst into R.E.M. Visit Juno Studio. In Fetch the Bolt Cutters’ case, these psalms beam clearer than ever before. The album’s clear standout (and one of the year’s best songs), “Kyoto,” features Bridgers’ crunchiest guitar riffs yet, a soaring chorus and the travails of dealing with someone who can’t quite get their shit together juxtaposed with a wander through a 7-11 and trip to the suburbs to stare at chemtrails. He’s such a changed man that he even admits to being unable to identify with his old records: “There’s no use trying to relate to that old song,” he croons at the beginning of “Tomorrow’s Dust.” And will The Slow Rush blow your mind? Her most recent, the staggeringly good The Idler Wheel… arrived in 2012. 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